The LXD Mixes Kung Fu With Dance Battles

The LXD: Legion of Extraordinary Dancers

From the New York Times:

“They lie amongst us, preparing for battle, waiting to rise and change things for good. Some are gifted in ability, others are trained to master it and some, some have it bestowed upon them at birth, but they all must choose.” These words, spoken in a James Earl Jones baritone, could be the opening crawl for the latest “X-Men” movie. But they aren’t referring to traditional superheroes, at least not in the masked and overly muscled sense. They are dancers.

The lines come from the first episode of “The LXD” or “The Legion of Extraordinary Dancers,” a new dance-inspired Web series created by Jon M. Chu, the 30-year-old director of the hit 2008 movie “Step Up 2: The Streets” and the soon to be released “Step Up 3D.”

The series, which made its debut on July 7 on Hulu is produced by Mr. Chu and Hieu Ho with Agility Studios, and is a leap in Web-based original programming. “This is the most ambitious project that has been done for the Internet,” said Thomas F. Lesinski, the president of Paramount Digital Entertainment, adding later that the cinematography “could hold up in a movie theater.” New episodes will appear every Wednesday throughout the summer. Changing public perceptions about dancers was part of what Mr. Chu had in mind when he conceived the series.

“Dancers actually have a real power,” said Mr. Chu, who studied tap growing up in Palo Alto, Calif., before he fell for filmmaking, and this is how he views the dancers in the show. “Some people call it aura, some people call it chi, we call it ra,” he said. “And the ra is that power.” He added: “So when a b-boy does his spins, if you concentrate, you can see him shoot out that power, and it can affect someone physically. Or like when a ballerina cuts her leg through the air, it’s actually like a Ninja slice across someone’s face. And a jazz dancer’s jazz hands can actually rumble the floor if they know how to do it in the right way.”

Penn and Teller: Two Morons Learn Martial Arts

Penn & Teller: Bullshit

In a recent episode of their hit Showtime series, stage magicians Penn Jilette and Raymond Teller warn viewers away from the universally fraudulent field of martial arts. Now a real expert martial artist rescues us from their half-baked debunkings.

For their own convenience, Penn and Teller divide the world of martial arts into three categories: traditional, mystical, and murderous.

Joint Locks Considered Dangerous

Over the past week, Seattle’s recent “jaywalking rumble” has gained worldwide interest. It has provoked a spirited debate, among martial artists and the public at large, over the limits of reasonable force. Some believe that the police officer’s punch was brutally excessive, and that some form of joint lock would have been more appropriate. The following article expresses my dissenting view.

Introduction

In the martial arts, a “joint lock” is a technique that targets a joint in an opponent’s body, holding it near or outside its normal range of motion. The purpose of a joint lock is not to inflict harm, but to issue a credible threat of harm. The recipient of a joint lock is expected to submit: to move, or to stop moving, as directed by the applicant.

Locking techniques exist for nearly every joint in the human body. Depending on the technique selected, the recipient may or may not be physically immobilized (“locked”) upon application. The recipient may or may not experience significant pain, as a signal to comply, before the onset of bone or soft tissue damage.

Joint locks can be applied in the context of combat sport, law enforcement, or self-defense. The use of joint locks is usually restricted in fighting competitions, due to the high risk of injury.

Joint Locks for Pain Compliance and Restraint

The use of the joint lock as a “nonviolent” coercion method–and an alternative to striking–is complicated by a number of factors.

Is This the Right Time to Hit a Woman?

Last Monday, police officer Ian Walsh observed a group of women jaywalking near MLK Way in central Seattle. He directed the women to his squad car, presumably to warn or cite them for breaking the law. They refused to cooperate.

One of the women, Marilyn Ellen Levias, decided to walk away instead. As Officer Walsh grabbed her, and the pair struggled, a crowd gathered to watch. Levias’ companion, Angel Rosenthal, shoved Walsh so that Levias could escape.

Officer Walsh responded by punching Miss Rosenthal in the face.

Interview with an Intuitive Warrior

The Intuitive Warrior: Lessons from a Navy Seal on Unleashing Your Hidden Potential

In his new book, The Intuitive Warrior: Lessons from a Navy Seal on Unleashing Your Hidden Potential, author and retired Navy SEAL Michael Jaco describes how he channeled the challenges he faced in military training and combat toward aligning his body and mind. With the two working in unison, Jaco remained calm and positive in extremely stressful situations. When he retired, Jaco then used these techniques as a civilian to enrich his everyday life.

Through personal accounts of real experiences, Jaco explains how the challenging situations he endured as a member of one of the most elite Special Forces units in the United States taught him to control his emotions and tap into his intuition. Using these capabilities, he enhanced both his mental and physical strength. In The Intuitive Warrior, Jaco says that anybody can develop the perception and awareness skills that he learned and employ them to achieve a more fulfilling life, whether seeking to improve job performance, personal relationships or physical shape.

Michael Jaco answers a few questions for Martial Development readers in this exclusive interview…

Robert Downey Jr’s Kung Fu Redemption

From the May 2010 issue of Men’s Journal…

Robert Downey Jr. in Wing Chun pose

“Wing Chun is all about guarding your center line,” Downey tells me, talking about the place where the touchy-feely art of Wing Chun kung fu meets philosophy of life. “Don’t fight force with force; use to hands at the same time; concentrate on your own thing; and after you have that dialed in, effect the balance, look for openings, look for arms to be crossed.”

So that’s the secret to his newfound prosperity?

“Oh, yeah, dude,” says Downey.

An Affordable Martial Arts Insurance Plan For Everyone

Advocates of compulsory health insurance plans will often ask rhetorically, “What if you got hit by a bus?” Yet we all know that the relatively poor health of America today isn’t the result of some freak accident. It wasn’t the shark attack, the falling piano, or the runaway Prius that has led so many of us to physical (and financial) ruin.

The real cause is inappropriate conduct. It is, primarily, neglect and disregard for the effects of diet, exercise, environmental conditions, and other factors under our imperfect but substantial control.

As a holistic form of exercise, martial arts can arguably be classified as health care. Experienced practitioners also recognize it as a form of health insurance. Daily practice provides a richly detailed baseline against which latent health issues can easily be observed, and hopefully corrected in their earliest stages.

Those are the straightforward facts; now here is the tricky part: we can use martial arts to insure and ensure our health, but how do we insure the practice itself?

Real-Life Ninja Assassin Threatens Journalist

Rain as 'Ninja Assassin'

If you have to choose between seeing Ninja Assassin and Red Cliff this weekend, I recommend the latter–even if this abridged US release is not quite as good as the original 4-hour Chinese version. (Curious John Woo fans can order the longer cut of Red Cliff on DVD today.)

Fantastic tales about Ninja clans and other secret fighting societies are depressingly common in the martial arts world. These legends are used for marketing and entertainment purposes; repeated often, but rarely taken seriously.

Benjamin Fulford wants to be taken seriously. Formerly the Asia-Pacific bureau chief at Forbes Magazine, Fulford spent years reporting on the highest and lowest echelons of Japanese society, from politicians to Yakuza gangsters.

On McDojos and Mob Justice

Sean Treanor’s article on the Bullshido phenomenon raises some important questions…

Martial arts practice in America is entirely unregulated. There is no central body that issues standards, no set of accepted practices, no communication between different styles. State and local governments have nothing to say about who is and isn’t a martial artist. After all, consumers are free to make their own decisions.

Unfortunately, it can be very hard to tell the difference between fantasy and reality when studying an ancient, esoteric and exotic discipline. Not many people have any idea what martial arts training should consist of. There is almost no agreement within the martial arts establishment over what is effective training and what is not.

Investigation is expensive and the market is too small to attract much media attention, aside from cinematic mythmaking. The mainstream martial arts magazines have never made investigative journalism part of their repertoire. George Dillman, the mental KO king was Black Belt Magazine’s instructor of the year in 1997. There is simply no money in exposing these martial arts entrepreneurs. Some people, however, are willing to do it for free.